#frozen 2 trailer

[mahoganyrust]

This took forever. Pun intended.

[sparebutton]

❄️Happy 10th anniversary of Frozen!❄️

[holymusicalmothman]

The Great Thaw on AO3

It’s canon friendly, lore accurate for both the frozen and rotg film/s AS WELL AS accurate to the original books for the Guardians written by William Joyce (we see some book!Jack abilities!)

It takes place almost a year after Frozen 1, includes historical accuracies, Olaf being Olaf, castles with secret tunnels, princesses sneaking out of castles when they shouldn’t be, ice palaces, Pitch Black is there as an antagonist, the other guardians are there too. The story will build from after the first Frozen film, through two of the shorts (Frozen Fever and Olafs Frozen Adventure), the second film, then through my interpretation/theory on the short Myth, and up into the Rise of the Guardians film. It’s an AU of its own sorts, following the canon timeline but shifting so the two can merge and intertwine.

Images sourced from Pinterest and Google. A few I recognize as being made by @insanehoneybadger and sanderswaals on YouTube and Instagram

Also. It’s 2024. Time to normalize making trailers for your fanfics

Song is “Not Yet/Love Run (Reprise)” by The Amazing Devil

It’s okay if you don’t ship it 💙 You don’t have to interact 🥰

[beautifulterriblequeen]

I'm dying this is so mean 😂

[justlookatthosesausages]

Frozen 3 trailer concept

(Arendelle town seen from above in bird view, slowly panning down to Anna and Elsa happily walking down a street. There are changes in buildings and town layouts showing that time has passed since Frozen 2, they are wearing new outfits, and they laugh and chat before the camera catches up to them. They keep walking)

Anna: So! What are the news since last friday? I love our little catch ups.

Elsa: You first.

Anna: Meh,

(shots of Anna in Queen attire helping people around, participating in events, leading political meetings) Anna's voice-over: you know, Queen stuff. How about you?

Elsa: Well,

(shots of Elsa helping Northuldra in the forest, gathering reindeer as she rides Nokk, running in panic after Bruni) Elsa's VO: the usual Fifth Spirit routine.

(back to Arendelle's streets; Elsa shrugs with humor. Then her smile vanishes, she frowns in concern)

Elsa: Though, there's this odd thing that happened the other day in Ahtohallan...

(shot of her widening her eyes in the dome of memories, staring in awe at something off screen)

(back to Elsa in Arendelle's streets, she stops walking and stares at Anna)

Elsa: I saw memories... Not from the past...

(same shot of Ahtohallan, reverse angle where Elsa lifts her hand to a group of ice statues to reach it in disbelief, the scene clearly has not happened before and features older versions of the main characters) Elsa's VO: ...but from the future.

(title screen that reads "IN 2025")

(Honeymaren and Ryder walking with a nervous Elsa in the Forest) Honeymaren: There must be an explanation.

(title screen that reads "JUMP FORWARD")

(Frohana characters walk around ice statues that Elsa crafted in the main hall of Arendelle in awe, looking at every detail)

Kristoff: So these come from... Our future?

Anna: This is incredible.

(close shot of Olaf walking to the statue of his future self, his admiration switches to a smirk, he wiggles his eyebrows, the trailer music stops) Olaf: I look good.

(trailer music resumes, title screen that reads "FOR A FINAL FROZEN ADVENTURE")

(close shot of Anna, looking very serious) Anna: You've got Arendelle's full support.

(shot of Northuldra tribe + Frohana staring up at something big off screen, Anna and Elsa have protective hand gestures towards each other) Anna's VO: Whatever we do... Elsa's VO: We do it together.

(trailer music blasts, new logo appears in 3D)

(boom with a title screen that reads "NOVEMBER 2025")

[sillyfudgemonkeys]

Everyone's talking about Wish right now.... The only thing I can say about WISH.......let's hope it's like a Frozen 1 type thing. Where the trailers were ABSOLUTE ASS but then the film turned out really good. TT0TT

I mean.....there is a difference between the two. While the west got weird trailers that didn't matter for Frozen (Olaf vs Sven carrot thing), JPN and other countries got trailers that actually showcased the plot and drama in an interesting way.... And Wish.....well...... Wish at least gives us a villain and a part of an argument.....and I can't see that argument leading anywhere.....great tbh. So maybe not the best comparisons but let's hope for the Frozen 1 vibe!

Anyway I'm not liking what I'm seeing so far, but I'm hoping its better than the ass disaster Frozen 2 and Ralph 2 were. ;w;

[almadesarrollo]

MOANA 2 TRAILER, MY OPINION AND THEORY (THE NEXT SHIT, I'M AFRAID) PART 1

Hello everyone, let's talk about Disney again, and how it destroys everything it touches hahaha, including its own products!!!

As you know, a trailer for the Moana sequel, Moana 2, has officially been released:

It had been planned for a long time to make a Moana series after the success of the movie, but until recently it was announced that in the end this was going to be a movie, and here we have the first trailer… why do I feel that this is a shit?

Ok, let's be fair, not all Disney sequels are bad! There are some successes:

It all depends on how it is handled, there is a little bit of everything, but as you know, Disney is very heavy with the WOKE theme, and lacks creativity, which is leading to ruin…so as they are the things, they choose to touch what will give them guaranteed success, but touching these products I think is the worst thing they can do…

Well, the trailer looks wonderful, the animation too, and the music WAAAA, and Moana looks beautiful, more adult of course, but beautiful nonetheless, but that's not going to be enough, we need a good story,

MOANA SET THE BAR VERY HIGH, I love this movie, you love this movie, WE ALL LOVE THIS MOVIE, THIS SEQUEL SHOULD EXCEED IT AND IF NOT, AT LEAST, EQUAL IT. WILL THAT HAPPEN?

Well, we still have to wait for another more extended trailer and more information but… it seems to me that they are one of those cases of lack of creativity, well, I'm going to tell you a little about what this movie reminds me of and then my theory of what What is going to happen?

FROZEN 2 (recycling)

I feel that this sequel has the same vibes as FROZEN 2, I mean, I think they are going in the same direction but within their universe, and with their own mythology, MOANA 2 would be like the twin of FROZEN 2, but with WATER, HEAT , THE SEA CREATURES, ETC….2 sides of the same coin, very similar but different…let's see their similarities:

- according to the trailer, we see how the village is being attacked just like in frozen 2 by a natural element, in this case lightning, in frozen 2 the attack was received by Arendelle and the 4 elements attack at once, both attacks happen at night.

- in Moana, she was supposed to go to deliver the heart of Te Fiti, but this call was from the ocean, he chose her, however, from what we see in the trailer, her ANCESTORS IN THIS CASE CALL HER, Just like in Frozen 2, a mysterious voice calls Elsa and she feels that she must answer the call since it is really her family, her mother.

- it seems that this call will be through this whale that will guide her on the journey, something that we also saw in frozen 2, the voice guides Elsa and certain creatures help her.

- Moana goes with a team of sailors, just like Elsa goes, not only with Anna, but also Olaf and the rest of her friends, one of the members is magical, in frozen 2 Olaf, in Moana 2, Maui.

-Both Moana's and Elsa's teams enter unknown territory, encountering all kinds of creatures and dangers, the difference is that one does it in the forest and the other in the sea.

-lThe light colors and pastel colors, tending to white, are part of the MOANA design just like in Elsa's designs, we also see a shape similar to the print of the 5th element in it, on a fabric of a similar color.

- We see how Moana now has a sister, why give her a sister now and not before? I mean, she could have appeared in Moana 1 and appeared little, and thus not overshadow the protagonist, in fact it was planned that she would have 6 siblings, but they removed it because of the last thing I said, not to mention that she is dressed like Moana herself, this is suspicious, right?

- We can see in the poster how she is looking at the horizon at an island at dusk or dawn, guess what, in frozen 2 Elsa looks at the horizon at dusk, Ahtohallan, which is similar to an island, only it is a glacier, something from her world and element.

-Guess what, we know that frozen 2 EL Ahtohallan is Elsa's new home, because she is an element and must reside there controlling the spirits, we know that from what we saw in Moana, her people were explorers, they went to islands and They settled there, so it is possible that the island is the new home, where she led a new tribe. For some reason we see the change in the crab, she goes from one conch to another and notice that the crab wants to go to the Moana's conch but she removes it, as if changing something in her nearby home to something unknown.

My mother, that's crazy, right? hahaha there are many more similarities but I think these are the most important, I'm going to tell you what I think is what is going to happen because it is very predictable, this will be seen in part 2 if it is not a very long post.

Like, reblog and follow me if you liked the content and to see more of this type.

see you in part 2

[bigfrozenfan]

Best chance for Disney to show us a new Frozen short on November 27, 2024!

Keep your fingers crossed!

[robotpussy]

you know disney has done some heinous unethical shit when they start announcing 35 sequels to their IP's and they suddenly drop a trailer for something that is highly anticipated

[pixiedust111]

Trailer's been released!

[silverfox66]

I am not sure what to think of by the upcoming Disney movie Wish. I like that Disney is changing the style a bit, but it looks half-assed tbh. The characters still look and feel very similar to every other character in the previous Disney movies. It also looks a bit bland in the trailer?

I am looking forward to the songs. I wonder if the story is any good.

[courtneysmovieblog]

Trailers: WTF have they done to Garfield?!

Congratulations to the SAG for finally getting the deal that they deserve! With the end of the strike comes an onslaught of trailers...including the long-anticipated Chris Pratt Garfield.

Genie: Melissa McCarthy is a genie in a Peacock original movie. I don't care if people think this will be dumb, I think it looks cute, and I'll be watching.

Family Switch: Jennifer Garner and Ed Helms switch bodies with their kids. And their baby switches bodies with their dog. That goes as well as you'd expect.

The Family Plan: Mark Wahlberg is a family plan with a secret past as an assassin. So this is like a family-friendly version of Nobody?

Lift: Kevin Hart does his own heist movie, where an ex-thief teams up with the FBI to steal gold from a flight. Meh.

Mean Girls (musical): In case the trailer didn't make it clear, this is a film adaptation of the Broadway musical, not a full-on remake. Just like The Color Purple. And you know what? It looks good. I can't believe they actually got Tina Fey and Tim Meadows to reprise their parts from the original movie!

Orion and the Dark: Netflix animated film about an entity version of darkness trying to teach a little boy not to fear him. Looks cute!

The Fall Guy: Stuntman (Ryan Gosling) investigates the disappearance of an actor. I didn't know this was a TV series, but Gosling is as hilarious in the trailer as he was in Barbie.

Ghostbusters: Frozen Empire: I'm in. You don't even have to ask.

Inside Out 2: While I'm crushed that Bill Hader isn't coming back as Fear, Maya Hawke's Anxiety just might make up for it.

Damsel: Millie Bobbie Brown fights a dragon. I love fantasy movies and this will do until Stranger Things comes back!

Kingdom of the Planet of the Apes: I honestly thought this franchise was over. It won't be the same without Andy Serkis' Caesar.

The Garfield Movie: I was briefly wooed by the part with the adorable baby Garfield...but then I heard Chris Pratt's voice and it was as bad as I feared. He doesn't even TRY to capture Garfield's trademark sarcasm! He just sounds like a frat boy dude brow, and that's NOT Garfield! Plus, the animation style leaves a lot to be desired.

[lennadanvers]

I'm so tired. So here, have Ex-husband!Eddie pt. 2

Despite what one may think, you don't treat Eddie that badly.

When he comes to pick up the kids, you have a tupper with a portion or two of last night's dinner. You say it's because you've gotten used to cooking bigger portions, and that the kids wanted him to try it. A lot of excuses to hide the fact that you're worried he's not taking care of himself. Sometimes you forget he's not a boy living in the trailer park, eating chips and canned soup everyday anymore. And it won't be Eddie the one to remind you that he can cook more than pasta and frozen pizza now.

It's one of the kid's birthay and the whole family reunites in your house. When Robin gets there and sees you- for the first time after the divorce-, she's dissapointed. Not because you're not doing as good as Eddie told her, but because you are, in fact, doing great. She's so dissapointed on Eddie for letting you go. And you're even still kind to him.

You're a good team. Especially in front of the kids. It's like, after the divorce, Eddie finally understood what you meant by "not wanting to be the boring parent all the time". Limits have allways been a concept hard for him to grasp, with a father always too busy running from the cops and Uncle Wayne spending so much time working to keep them both afloat. But he's proud to say he's learned- more like had to. Now, when it's his turn with the children, he thinks about what would you do. It's not quite the same as having a conscience, but it's worked so far. And it makes him warm inside to see you finally having fun with your kids. Since he started playing the bad cop too, you can get a taste of the other side of the coin. And he gets to hear you laugh- a sound that he hasn't been able to reproduce in his music so far; he's afraid he'll never find a way to capture it. But, well, as far as he does a good job as a dad, he'll get to listen to it.

He can't escape the limits, though. Even if your kids insist in having a sleepover with daddy after the birthday party, he'll be sleeping on the couch.

It's okay, it smells like home and he can pretend the cushion he's hugging is your waist.

[solarmorrigan]

It's Coming From Inside the House

For the @steddie-spooktober day 5 prompt: "Did you hear that?" Rated: T | Words: 2472 | CW: panic attack, mentions of recreational drug use | Tags: Eddie Munson and Steve Harrington friendship, pre-relationship, sorta, Eddie Munson being an asshole, Eddie Munson is a sweetheart, he has the range, Steve Harrington has PTSD, post season 2, pre season 3 Divider credit: @steddiecameraroll-graphics

Now look, Eddie has never claimed to be the world’s nicest guy. He’s often claimed the opposite, in fact, in the name of getting shithead bullies and jocks to leave him and his alone.

And Harrington is no saint, either. Sure, he’s turned over some kind of new leaf since last year, ditching the assholes he used to hang out with and mostly keeping to himself (particularly since November, when his busted face had been the talk of Hawkins High), but he’s been part of enough sportsball-related hazing rituals for Eddie to assume he can at least take a joke.

Anyway, the point is, when he’s given occasion to realize that King Steve seems to be afraid of the dark, Eddie isn’t quite able to resist the urge to poke at him. Just a little.

He’s got Harrington in his trailer, just dropping by for a late-night transaction, and they’ve got an unexpected spring storm raging outside. It had just blown in, heavy winds and rain and all, surrounding the trailer with the sound of nature’s howling fury, and Harrington already seems on edge (probably why he needs the weed, really).

And then the lights flicker–

Flicker–

Flicker–

And cut out.

Both Eddie and Harrington freeze, plunged into darkness cut only by the frequent flashes of lightning.

“What just happened?” Harrington asks, his voice gone tight.

“Seems like the power went out,” Eddie snarks, because that much should be obvious. “Probably the wind. The grid isn’t as secure out here where it’s only us poor people.”

Harrington has no comeback, which is a little disappointing. He’s so quiet that the only way Eddie can tell he’s still there at all is because he can see him illuminated by brief lightning strikes.

Eddie sighs and starts shuffling in the direction of the kitchen. “Gimme a minute, I think we’ve got an old camping lantern somewhere.”

He bangs his knees on just about every object he walks past, swearing up a storm, but he finally makes it to the kitchen and feels around in the cabinets for the lantern he hopes is still there. He knocks over a few pots and pans in the process, but finally – success!

Eddie gropes for the switch on top of the lantern as he pulls it from the cabinet, praying that the battery inside is still good, and flinches and blinks the sparkles from his eyes when the thing lights up about six inches from his face.

Illumination acquired, Eddie uses it to find the junk drawer and pull out the flashlight they keep inside (might’ve been easier to find that first, instead of knocking into all the cookware, now that Eddie thinks on it), and then heads back to where he’s left Harrington standing in the living room.

“Let there be light,” he says, holding up the old lantern in victory.

Harrington, again, says nothing. He looks pale in the light of the lantern, nearly frozen where he stands, staring out the window. He almost reminds Eddie of a frightened rabbit, eyes wide and body locked up in a fight, flight, or freeze response heavily weighted in favor of the third option. And if he’s the rabbit, Eddie is like nothing so much as the wolf, ready to sink his teeth in.

Just a little. Just as a joke, that’s all.

As he places the camping lantern on the table, he pauses and cocks his head, pretending to listen.

“Hey,” he says quietly, and Harrington finally turns to look at him. “Did you hear that?”

“Hear what?” Harrington rasps, eyes darting back towards the window.

“I don’t know, it was… like sort of a scratching sound? It’s– There!” Eddie jumps, playing at being startled. “There it was again, did you hear it?”

Harrington swallows heavily, shaking his head. “I don’t hear anything, are you sure–”

“I think it’s coming from the door,” Eddie hisses, voice gone low, nearly covered by the steady roll of thunder.

Harrington whirls back around, looking at the shadowed shape of the door where it sits just outside the halo of light the little lantern is throwing out.

“What if something’s trying to get in?” Eddie’s practically whispering now, low and dramatic. “Should we– should we check?”

Slowly, Harrington nods. “I’ll check,” he says, and he sounds so resolute about it, so resigned, like he’s agreeing to go off to war, that Eddie has to bite down on a laugh. So fucking serious, this guy.

“I’m right behind you,” Eddie says, though Harrington barely seems to register when Eddie sidles up at his back.

They cross from where they’d been standing by the coffee table and over to the door, standing in front of it as another crack of thunder booms overhead. Harrington reaches for the handle.

“Go ahead,” Eddie breathes, raising his arms. “I’m… right… BEHIND YOU!”

As he shouts, he grabs Harrington around the middle, digging his fingers into his sides almost like he’s trying to tickle him, and holy shit, Harrington’s reaction does not disappoint. He jumps and jerks like he’s just been electrocuted, letting out a strangled yell as he pulls away from Eddie, whirling around to face him, and Eddie can’t help it– he laughs.

Like, not a cruel laugh, just the laugh of a prank successfully pulled off.

“I can’t believe you actually fell for that!” he wheezes out around his giggles.

And Eddie isn’t fully ignorant to the idea that there are consequences for his actions; he’s pretty sure at this point Harrington is going to start yelling, maybe start swinging, almost definitely cussing Eddie out – except he doesn’t.

He doesn’t actually do anything. He’s just standing there, eyes blown wide, one hand clenched over his chest while he almost heaves for breath.

“…Harrington?” Eddie tries, as his laughter dies away. “Hey. You good?”

Harrington doesn’t reply. Eddie’s not even sure he’s seeing him right now; his gaze looks glassed over in the low light, staring at something in the middle distance that Eddie can’t see. It’s kind of freaking Eddie out.

“Harrington. Hey. Can you hear me?” Eddie reaches up to wave a hand in front of Harrington’s face, and the reaction is immediate.

He jumps again, swearing and stumbling backwards until he hits the wall by the door with a hard thump, where he slides down into a sitting position on the floor, knees pulled up in front of him and arms wrapped around his middle. He’s still breathing hard, and his eyes are darting around the trailer, still looking for something, but fucked if Eddie knows what.

And fuck. Shit, Eddie feels like an asshole, he’s just given Harrington some kind of full-blown panic attack. Shit.

“Harrington,” he says, trying to sound firm and reassuring even though he has no goddamn idea what he’s doing as he crouches down in front of the guy. “Listen, there’s nothing to be scared of, man, it was just me being a dick.”

Harrington’s eyes flick in Eddie’s direction, but Eddie’s not all that convinced he’s registering what Eddie’s saying.

“Okay, I’m gonna – just a second.” Eddie holds a finger up and stands again, darting over to the coffee table to grab the lantern and, almost as an afterthought, the flashlight. “Okay, here we go,” he says, kneeling in front of Harrington and placing the lantern between them. “Do you wanna hold the flashlight? Would that help?”

He’s barely held the flashlight up for Harrington to take when the other boy’s fingers are wrapping around it, nearly jerking it out of Eddie’s hand. He flicks it on and sweeps the beam around the room, nearly blinding Eddie at least twice in the process.

“See?” Eddie says once Harrington’s performed as much of an inspection of the place as he can from his position on the floor. “Nothing here. Just you, me, and the storm.”

This doesn’t seem to be as reassuring as Eddie would have hoped; Harrington is still on the hysterical edge of hyperventilating, flashlight clutched in one fist and the other hand clenching his jacket where it’s still wrapped around his middle.

“Harrington. Steve,” Eddie tries, and he finally gets a long enough look from Harrington that he thinks he must actually be hearing him. “You’ve gotta breathe, man. Deeper breaths, c’mon. I don’t want you passing out on me.”

And it looks like maybe he’s trying, but the air keeps stuttering back out of his lungs before he can hold it for long. He shakes his head, and Eddie bites his lip, thinking.

“Here. I’m just gonna– don’t freak out again, okay?” Slowly, Eddie reaches for Harrington’s free hand, and with an air of confusion, Harrington lets him take it, unwrapping his fingers from where they’re clutched in his jacket and letting Eddie pull until his palm is pressed flat against Eddie’s chest. “Copy me, okay? In… and out.”

Exaggerating his breaths, Eddie takes big gulps of air, in and out, and waits for Harrington to follow suit – and after a few long moments, he manages it.

Slowly, his breathing deepens out, no longer coming in quick, shallow gasps, and his posture seems to deflate as it does. He sags back against the wall, the flashlight still clutched tight in his fist, and lets his head fall back.

“Better?” Eddie asks.

Harrington shrugs. He flinches at the next flash of lighting, and Eddie squeezes his hand, which he is, for some reason, still holding.

“Just the storm,” Eddie says, and Harrington shoots him a vaguely bitchy look that feels a lot more on par with how he should be acting.

He doesn’t take his hand back, though, so Eddie just keeps holding it.

He holds it and he talks, trying to drown out the rumbles of thunder that are growing more and more distant, trying to distract from the flashes of lightning that seem to be distressing Harrington more than anything else, trying to make up for the fact that he’d caused this whole mess in the first place. And Harrington seems to listen, watching him with eyes half-lidded in exhaustion, even cracking a tiny smile a few times, when Eddie gets particularly animated.

Then, after about an hour of nothing but the warm glow of the camping lantern, nothing but the sound of Eddie’s voice and the dying storm, the power kicks back on. The lights come to life and the fridge starts humming from the kitchen, and Harrington squeezes Eddie’s hand hard, eyes falling shut for a moment in apparent divine gratitude.

“Oh, thank god,” he mutters, and Eddie can’t help but agree.

Slowly, he lets go of Harrington’s hand, and Harrington takes it back, awkwardly handing over the flashlight as if in trade. He stands from the floor, a little shaky, and Eddie follows suit, ready to catch him if his overtaxed body doesn’t prove to be up to the task, but Harrington manages to stand on his own two feet, so Eddie takes a step back.

“Uh… thanks. For all of that,” Harrington says quietly, voice a little wrecked.

Eddie shakes his head. “I’m the one who gave you a fucking panic attack in the first place. Sitting with you was literally the least I could do.”

Harrington shrugs. “You didn’t have to, though.”

“Common decency—and my conscience—beg to differ,” Eddie says, and Harrington lets out a little huff that might have been a laugh.

“Anyway, I should get out of your hair,” Harrington says. “Do you still have the, uh–”

“Oh, shit, yeah.” Eddie had nearly forgotten why Harrington had come over there in the first place. He crosses back over to the coffee table, where he’d dropped the bag when the power had gone out, and snatches it up, offering it to Harrington. “Here you are, my liege.”

The title, caught somewhere between mocking and actual friendliness, makes Harrington huff out another laugh, and he reaches for his wallet.

“How much do I owe you?”

Eddie almost can’t believe he’s about to say it, but– “Don’t worry about it. This one’s on the house.”

He’ll eat the cost if it’ll assuage his guilt – if it’ll get the image of Harrington crumpled on the floor, gasping for air as he searches the room for some kind of threat, out of Eddie’s head.

Harrington frowns. “You don’t have to do that.”

Eddie shrugs. “Call it even for having given you all the more reason to need to smoke it.”

Harrington is still frowning, hand still poised to pull his wallet from his back pocket, so Eddie shoves the baggie into his free hand, closing his fingers around it and letting go.

“Looks like it’s in your hands now, no takebacks!” Eddie insists. “Or, you know, no givebacks, I guess.”

Harrington rolls his eyes, but he drops his hand and tucks the baggie into the pocket of his jacket. “Well, thanks, then. I think.”

Eddie nods, searching over Harrington’s face; he’s still pale as shit, and it makes the dark circles under his eyes, previously barely noticeable, stand out in stark relief. He looks like he’s almost swaying where he stands, and Eddie frowns.

“You gonna be good to drive?” he asks, not really sure what he plans to do if Harrington isn’t.

“I think I’ll be fine, man,” Harrington snarks, and it’s close enough to what Eddie’s used to hearing from him that he’s willing to let the matter drop.

Harrington turns for the door, but pauses just before he reaches for the handle. Eddie wonders if maybe he’s still thinking of Eddie’s stupid prank, unable to shake the idea that something really might be waiting at the door to get him, when Harrington turns back to look at him.

“Don’t mention this to anyone, okay?” he says, possibly going for demanding, maybe even threatening, but landing somewhere closer to a plea. “I don’t need– I just don’t need anyone knowing…”

“Mum’s the word, man,” Eddie assures him quickly, miming zipping up his lips, locking them, and tossing the key over his shoulder.

With a tiny smile crossing his face, Harrington nods. “Thanks. I’ll, uh – see you around, I guess.”

“Yeah. See you around.” Eddie nods.

And with that, Harrington is gone, out the door and crunching across the wet gravel to his car, taking the strangeness of the night with him.

Eddie stands in the middle of his living room for a long moment, feeling as though something about his view of Steve Harrington—possibly even his view of something larger—has shifted, though he can’t quite put his finger on how.

He puzzles it over for a bit before shrugging it off, stooping to grab the lantern and put it back where it belongs. It doesn’t really matter, he figures. It’s not like he and Harrington will have much reason to interact after this.

[sillyfudgemonkeys]

I just found out that Disney was going to made a sister film to the Snow White one titled "Rose Red" based off her sister..........THOSE ARE TWO DIFFERENT SNOW WHITES YOU DUMBASSES! TT0TT

[almadesarrollo]

MOANA 2 TRAILER, MY OPINION AND THEORY (THE NEXT SHIT, I'M AFRAID) PART 2

Part 1:

NOW AFTER HAVING MADE THE COMPARISON LET'S TALK ABOUT WHAT COULD HAPPEN IN MOANA 2, REMEMBER THIS IS JUST A THEORY AND THIS WILL BE A LITTLE AMBIGUOUS BECAUSE WE HAVE LITTLE INFORMATION, SO GRAB YOUR POPCORN, LET'S GET STARTED hahaha

WHAT WILL MOANA 2 BE ABOUT?

To begin with, I think the movie is going to be long, taking into account that it is a series transformed into a movie, and that is why I think it will be divided into 2 parts and Moana will make 3 trips, 2 round trips, the third being the end of the movie and a one-way trip to never return to his island and tribe.

1st part [the call and tribute to moana 1]

Here we will see many references to the first film, such as when he touches the water with his hands or when he reads the stars etc… all this with 2 objectives, on the one hand to remember a little what the first film was about (in that sense it is a parallel to when Olaf told the frozen movie in the forest, so you wouldn't get lost hahaha) and the other is to say goodbye to everything that Moana gave us in that beautiful adventure, why? because she will surely, in some way or another, sacrifice herself and abandon part of her humanity… therefore it will make us very nostalgic, they will seek to touch the heart as with Elsa discovering the truth, IT WILL BE THE CALM before the storm. . That's why she wears a costume so similar to the one in the first movie.

The movie will begin with that scene, and her with the conch, as a sign that she has arrived, it seems that she returned from a trip, or going with the boat to explore, this scene is important because it is a reminder of Moana's childhood. and how her destiny will change, that's why there is a conch change with the crab, because she is destined to be in a place in the same way that Elsa was, in a brief sequence, she tells us how her destiny will change… and here We already have a parallel with frozen 2:

Frozen begins with a lullaby, in it it practically talks about Elsa's home, that there, the water, that sea, she will find the answers, etc., what is the theme of innocent warrior? It also sounds like a lullaby, and it happens just like Elsa does when they are little.

(What is Moana's fate? Well, I'm going to develop this later, along with this scene that are connected, let's go in parts, okay?)

The thing is this, Moana is going to receive this call, the one she talks about in the trailer, but this call will be partly ignored by Moana herself because it's like she's a little between her town and taking risks, now it's like She is going to have more responsibilities with the issue that she is a sailor and has to teach and lead her people, so it is a yes and a no, her intuition is going to tell her yes, but she is going to ignore it following her head, a little like the first movie, with that call of the ocean, however, this will change when the lightning event occurs in the village,

which is going to suffer serious damage, again the tribe and the village are in danger, the island becomes uninhabitable, the island dies again, therefore THEY HAVE TO IMMIGRATE TO ANOTHER ISLAND, now they have knowledge and more importantly, they have someone to lead them.

Now I want to stop on this for a moment, we see that this disaster is natural, it is lightning, so it has to do with storms and rains, the origin may have to do with some god of nature who is angry with them, and is not in harmony with humanity, there may be a conflict, they may have done something they shouldn't, etc… or it may even be battles between gods and demigods, (alluding to the fact that Te-Fiti became Te-Fiti). Ka because Maui stole her heart)

This is like in frozen 2 that the people and elements of the forest were fighting with Arendelle for the offense the kingdom did…

Here it will be something similar, but within Polynesian culture and mythology, this God or natural force that attacks may be Tawhirimatea or a being inspired by this deity, we know that Disney does that a lot:

Tawhirimatea in Polynesian mythology is the god of climate and meteorology, he controls everything that has to do with this; lightning, storms, rain, blizzards etc….

Another option is that this comes from a being from Lalotai, or it could be that it is a mixture of these two, in this story, that Tawhirimatea lives there and that's where all the attacks come from, well, what a coincidence that when in the first movie the 2 protagonists They are there, the sky is cloudy:

THEN FACED WITH THIS, Moana will beat the drum to consult with her ancestors and ask what is happening with these types of attacks? and also for the islands and the direction,

Her ancestors will answer her, they will tell her that they must leave the island, and connect with the sea as she said in the trailer: "travel new skies", then she will communicate it to her tribe and go alone on an express trip,

and I say express because this trip will be short in the narrative sense, there will be no obstacles or anything, since they intend to make reference to when Moana traveled alone for the first time to return the heart

and since there is a lot of movie to tell, this will be brief, on this trip we will see all the references to what she experienced on her 1st trip, what she learned and see how she has matured.

-On that trip we will see more reference to the 1 movie, look at these 2 scenes from the trailer:

They don't belong to the same moment!!!…we see it in their wardrobe, it's different-

The thing is that she will find the island and then she will return, but in between that night, in which she will travel, she will have a storm similar to the one in the 1st movie and she will sink in the water, that will be where she establishes contact with that whale. , or sea creature,

(We can see this in that when the scene takes place she is wearing the same costume as at the beginning, it is not the new design)

He will ask you for help, because of what is happening or will give you clues to the conflict, the same one that caused the lightning, (which I'm sure I already told you, comes from Lalotai) this creature will be the one who guides you later, (in the same way that Bruni, the fire lizard did with Elsa towards the voice she heard)

towards the conflict which is "far beyond" never better said, after this, she will inform her tribe when she returns and they will leave again on a new journey, because as a lover of the ocean, she wants to protect it and this conflict would be damaging no only to the sea and the ecosystem but to his tribe and family

We continue in the next part….

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